Our entry-level product, our canvas art, is printed locally in Los Angeles on a poly cotton blend fine art canvas. The frames are handcrafted using 100% real pine wood sourced from Italy’s sustainable forests.
Printed on Glossy Fuji Crystal Archive paper, under 0.08” acrylic glass, the Floating Frame Acrylic stands out in any room. Pros use the Floating Frame Acrylic to display their collections at leading art fairs around the globe. Thanks to a small gap between the frame and the edges of your image, the picture appears to float inside the frame. This gives it a unique presence; a contemporary frame for your artwork that is both elegant and subtle.
Acrylic glass is light, shatterproof and resistant to temperature fluctuations. The properties of your print are intensified when it is mounted under glossy acrylic glass, which highlights the vivid color and enhances the impression of depth.
Our passe-partouts are made from the finest, non-acidic, fade-resistant museum card stock – guaranteed to be free of wooden fibers. These mounts are produced with a beveled edge and then set flush against the images. Our prints are certified for 75 years of brilliant color, and every print goes through a 6-step final inspection.
Elisa Insua was born in Buenos Aires in 1990. In 2011 she completed her Bachelor's degree in Economics and Business at Torcuato Di Tella University. At the age of sixteen, she started her practice as a self-taught artist, creating assemblages and sculptures with discarded materials. She gradually fused her artistic practice with concepts related to economics, overconsumption, and human insatiability. In the following years, she studied sculpture with Miguel Harte and was part of group critiques with Fabiana Barreda, Diego Bianchi, and Ernesto Ballesteros. In 2014, she had her first solo show, "Stairway to Heaven" at Plataforma (Córdoba, Argentina), followed by "More is More" at Espacio Modos (Buenos Aires, 2016) and “Quid Pro Quo” at APPA (Madrid, 2018). In 2019 she had her largest show to date, “Virtual Vanitas” at Usina del Arte (Buenos Aires, Argentina). She recently opened “The Path of Least Resistance”, a solo exhibition at Materials for the Arts in New York. In 2021, she presented her installation “Archaeology of Desire” at Museo Sívori and Museo Perlotti (Buenos Aires, 2021). Her work has been included in numerous group exhibitions, including “Ludica” at MACSur (Museo de Arte Contemporáneo del Sur, Buenos Aires, 2018), “Memento Mons” at Beaux-Arts Mons Museum (Mons, Belgium, 2019), “Slight Omission” at Cerquone Projects (Madrid, 2018) and “Proyecto Vergel” at María Casado HG (Buenos Aires, 2016). In 2015, 2016, and 2017 she participated in the ArteBA art fair (Buenos Aires, Argentina), and in 2022 she exhibited at Zona Maco (Mexico City). She has done two artist residencies in the USA: Vermont Studio Center (2016) and Materials for the Arts in New York (2021).